Archive Fever: New Zealand Underground Sound in Fanzine Interviews 1991-1999 (Marhaug Forlag)
Pleased to announce:
Successfully sourced copies of a book that we’ve been looking forward to since first hearing about it, Archive Fever: New Zealand Underground Sound in Fanzine Interviews 1991-1999, via Lasse Marhaug’s Marhaug Forlag (Norway).
In this text Noel Meek collects interviews pulled from printed matter published between 1991-1999, including some of our favorite ‘zines of that era, Opprobrium, Superdope, and Bananafish, to say nothing of the many mags that never made it into domestic orbit (Astronauts, De/create, Spec, Valve, Insample).
In his introduction, Meek describes how his own search to make sense of New Zealand underground music started:
“This book began with a personal search for context …The beginning of enlightenment came when I was working for the Wellington International Jazz Festival. They were, at that time, bringing the likes of William Parker, Steve Lacy, and Evan Parker to our shores to teach and to play with a burgeoning free improvised scene. The latter of these musicians was my gateway into the publications you now find in this book. One bright day Jeff Henderson, then artistic director of the festival, handed me a copy of Opprobrium #4 with Evan Parker on the cover … Featuring international heavyweights like Parker and Tony Conrad alongside reviews of the latest Omit and Witcyst releases, this was the beginning of context, for making some sense of the local scene.”
What’s remarkable from today’s perspective involves how Meek’s end-of-the-century parsing of his “local scene” in Wellington and New Zealand, more broadly, was adopted, in ways both big and small, by many American listeners focused on underground and experimental music. In other words, somehow Evan Parker and Opprobrium and Bananafish lead many of us to Surface of the Earth, Omit and Flies inside the Sun.
It’s difficult to convey what ‘zines like these meant to those of us coming-of-age in the 1980s and 1990s.
This book includes interviews with the following artists:
Alastair Galbraith
A Handful Of Dust
Omit
Bruce Russell
Gate
Surface Of The Earth
Sandoz Lab Technicians
The Dead C
Witcyst
Roy Montgomery
Dadamah
Dean Roberts
Peter Stapleton
The Garbage And The Flowers
Clare Pannell
Kim Pieters
Thela
Bill Direen
Dress
Flies Inside The Sun
Pleased to announce:
Successfully sourced copies of a book that we’ve been looking forward to since first hearing about it, Archive Fever: New Zealand Underground Sound in Fanzine Interviews 1991-1999, via Lasse Marhaug’s Marhaug Forlag (Norway).
In this text Noel Meek collects interviews pulled from printed matter published between 1991-1999, including some of our favorite ‘zines of that era, Opprobrium, Superdope, and Bananafish, to say nothing of the many mags that never made it into domestic orbit (Astronauts, De/create, Spec, Valve, Insample).
In his introduction, Meek describes how his own search to make sense of New Zealand underground music started:
“This book began with a personal search for context …The beginning of enlightenment came when I was working for the Wellington International Jazz Festival. They were, at that time, bringing the likes of William Parker, Steve Lacy, and Evan Parker to our shores to teach and to play with a burgeoning free improvised scene. The latter of these musicians was my gateway into the publications you now find in this book. One bright day Jeff Henderson, then artistic director of the festival, handed me a copy of Opprobrium #4 with Evan Parker on the cover … Featuring international heavyweights like Parker and Tony Conrad alongside reviews of the latest Omit and Witcyst releases, this was the beginning of context, for making some sense of the local scene.”
What’s remarkable from today’s perspective involves how Meek’s end-of-the-century parsing of his “local scene” in Wellington and New Zealand, more broadly, was adopted, in ways both big and small, by many American listeners focused on underground and experimental music. In other words, somehow Evan Parker and Opprobrium and Bananafish lead many of us to Surface of the Earth, Omit and Flies inside the Sun.
It’s difficult to convey what ‘zines like these meant to those of us coming-of-age in the 1980s and 1990s.
This book includes interviews with the following artists:
Alastair Galbraith
A Handful Of Dust
Omit
Bruce Russell
Gate
Surface Of The Earth
Sandoz Lab Technicians
The Dead C
Witcyst
Roy Montgomery
Dadamah
Dean Roberts
Peter Stapleton
The Garbage And The Flowers
Clare Pannell
Kim Pieters
Thela
Bill Direen
Dress
Flies Inside The Sun
Pleased to announce:
Successfully sourced copies of a book that we’ve been looking forward to since first hearing about it, Archive Fever: New Zealand Underground Sound in Fanzine Interviews 1991-1999, via Lasse Marhaug’s Marhaug Forlag (Norway).
In this text Noel Meek collects interviews pulled from printed matter published between 1991-1999, including some of our favorite ‘zines of that era, Opprobrium, Superdope, and Bananafish, to say nothing of the many mags that never made it into domestic orbit (Astronauts, De/create, Spec, Valve, Insample).
In his introduction, Meek describes how his own search to make sense of New Zealand underground music started:
“This book began with a personal search for context …The beginning of enlightenment came when I was working for the Wellington International Jazz Festival. They were, at that time, bringing the likes of William Parker, Steve Lacy, and Evan Parker to our shores to teach and to play with a burgeoning free improvised scene. The latter of these musicians was my gateway into the publications you now find in this book. One bright day Jeff Henderson, then artistic director of the festival, handed me a copy of Opprobrium #4 with Evan Parker on the cover … Featuring international heavyweights like Parker and Tony Conrad alongside reviews of the latest Omit and Witcyst releases, this was the beginning of context, for making some sense of the local scene.”
What’s remarkable from today’s perspective involves how Meek’s end-of-the-century parsing of his “local scene” in Wellington and New Zealand, more broadly, was adopted, in ways both big and small, by many American listeners focused on underground and experimental music. In other words, somehow Evan Parker and Opprobrium and Bananafish lead many of us to Surface of the Earth, Omit and Flies inside the Sun.
It’s difficult to convey what ‘zines like these meant to those of us coming-of-age in the 1980s and 1990s.
This book includes interviews with the following artists:
Alastair Galbraith
A Handful Of Dust
Omit
Bruce Russell
Gate
Surface Of The Earth
Sandoz Lab Technicians
The Dead C
Witcyst
Roy Montgomery
Dadamah
Dean Roberts
Peter Stapleton
The Garbage And The Flowers
Clare Pannell
Kim Pieters
Thela
Bill Direen
Dress
Flies Inside The Sun