Camp One: Revengeful Is The Mask Of Darkness (Zaius Tapes)
Fron the one-sheet:
“Some 40 years after it’s release, Camp One’s sole album from 1981 remains as mysterious as ever, the quartet of D Jones, I Good, L Williams & P Sage still hiding in plain sight.
Ask any deep digger you might know, it seems none of them can shed any light on this stunning, enigmatic LP. There are those who’ve never seen a copy, let alone heard it. Speculation here, an educated guess there, not exactly Captain Kidd's treasure map.
Revengeful doesn’t fit neatly into any niched genre; its almost a Baroque-like, outsider take on Prog Rock & Postpunk at once, eccentricity crackling off its grooves.
Imagine the fattier bits of A Moore’s oeuvre, the suet of L Voag + the gristle of Mark Perry, all baked into a most succulent Yorkshire pudding for the ears.”
RIYL the Canterbury scene, Murphy Federation, Fuck Off Records
Fron the one-sheet:
“Some 40 years after it’s release, Camp One’s sole album from 1981 remains as mysterious as ever, the quartet of D Jones, I Good, L Williams & P Sage still hiding in plain sight.
Ask any deep digger you might know, it seems none of them can shed any light on this stunning, enigmatic LP. There are those who’ve never seen a copy, let alone heard it. Speculation here, an educated guess there, not exactly Captain Kidd's treasure map.
Revengeful doesn’t fit neatly into any niched genre; its almost a Baroque-like, outsider take on Prog Rock & Postpunk at once, eccentricity crackling off its grooves.
Imagine the fattier bits of A Moore’s oeuvre, the suet of L Voag + the gristle of Mark Perry, all baked into a most succulent Yorkshire pudding for the ears.”
RIYL the Canterbury scene, Murphy Federation, Fuck Off Records
Fron the one-sheet:
“Some 40 years after it’s release, Camp One’s sole album from 1981 remains as mysterious as ever, the quartet of D Jones, I Good, L Williams & P Sage still hiding in plain sight.
Ask any deep digger you might know, it seems none of them can shed any light on this stunning, enigmatic LP. There are those who’ve never seen a copy, let alone heard it. Speculation here, an educated guess there, not exactly Captain Kidd's treasure map.
Revengeful doesn’t fit neatly into any niched genre; its almost a Baroque-like, outsider take on Prog Rock & Postpunk at once, eccentricity crackling off its grooves.
Imagine the fattier bits of A Moore’s oeuvre, the suet of L Voag + the gristle of Mark Perry, all baked into a most succulent Yorkshire pudding for the ears.”
RIYL the Canterbury scene, Murphy Federation, Fuck Off Records