Giovanni Di Domenic: Succo Di Formiche LP (Unseen Worlds)
From one of our favorite labels, the Unseen Worlds one-sheet reads:
“Written and recorded with the goal of creating a one-movement suite in the least amount of time possible, Succo di formiche reflects the archetypal joy of music making, the spontaneous impulses underlying its formation, and a love of the record album form.”
Pak Yan Lau: Hohner Pianet, toy piano, synth
Manuel Mota: electric guitar
Stan Maris: accordeon
Joe Talia: drums, electronics
Giovanni Di Domenico: piano, fender rhodes, organ
Recorded at Les Ateliers Claus, Brussels, may 24th-28th 2021, by Leslie Gutierrez
Mastered by Stephan Mathieu
Thanks to all at Les Ateliers Claus
Biography:
“Giovanni Di Domenico, pianist, was born in Rome on the 20th July 1977.
Following his father’s consecutive assignments as a civil engineer he actually lived out his first decade in Africa – until he was five in Libya, from then until his eight anniversary in the Cameroons and until ten in Algeria.
Musically self-taught until the age of 24, when he finally enrolled in Royal Conservatory in Den Haag, Holland (Koninklijke Conservatorium, 2001-2006) – majoring in ‘jazz piano’. He aspired to develop an an encyclopedic technique, with rhythm, harmony and tone informed by non-western traditions yet equally sensitive to Debussy’s “Préludes”, Luciano Berio’s “Sequenzas”, to the ‘ambi-ideation’ heard in Borah Bergman’s Soul Note recordings, Cecil Taylor’s polissemic density, Paul Bley’s bruised transparency and of course, the most radical manifestations stemming from the underworld of pop music, invariably tied together by his own original praxis.
He currently lives in Brussels.”
From one of our favorite labels, the Unseen Worlds one-sheet reads:
“Written and recorded with the goal of creating a one-movement suite in the least amount of time possible, Succo di formiche reflects the archetypal joy of music making, the spontaneous impulses underlying its formation, and a love of the record album form.”
Pak Yan Lau: Hohner Pianet, toy piano, synth
Manuel Mota: electric guitar
Stan Maris: accordeon
Joe Talia: drums, electronics
Giovanni Di Domenico: piano, fender rhodes, organ
Recorded at Les Ateliers Claus, Brussels, may 24th-28th 2021, by Leslie Gutierrez
Mastered by Stephan Mathieu
Thanks to all at Les Ateliers Claus
Biography:
“Giovanni Di Domenico, pianist, was born in Rome on the 20th July 1977.
Following his father’s consecutive assignments as a civil engineer he actually lived out his first decade in Africa – until he was five in Libya, from then until his eight anniversary in the Cameroons and until ten in Algeria.
Musically self-taught until the age of 24, when he finally enrolled in Royal Conservatory in Den Haag, Holland (Koninklijke Conservatorium, 2001-2006) – majoring in ‘jazz piano’. He aspired to develop an an encyclopedic technique, with rhythm, harmony and tone informed by non-western traditions yet equally sensitive to Debussy’s “Préludes”, Luciano Berio’s “Sequenzas”, to the ‘ambi-ideation’ heard in Borah Bergman’s Soul Note recordings, Cecil Taylor’s polissemic density, Paul Bley’s bruised transparency and of course, the most radical manifestations stemming from the underworld of pop music, invariably tied together by his own original praxis.
He currently lives in Brussels.”
From one of our favorite labels, the Unseen Worlds one-sheet reads:
“Written and recorded with the goal of creating a one-movement suite in the least amount of time possible, Succo di formiche reflects the archetypal joy of music making, the spontaneous impulses underlying its formation, and a love of the record album form.”
Pak Yan Lau: Hohner Pianet, toy piano, synth
Manuel Mota: electric guitar
Stan Maris: accordeon
Joe Talia: drums, electronics
Giovanni Di Domenico: piano, fender rhodes, organ
Recorded at Les Ateliers Claus, Brussels, may 24th-28th 2021, by Leslie Gutierrez
Mastered by Stephan Mathieu
Thanks to all at Les Ateliers Claus
Biography:
“Giovanni Di Domenico, pianist, was born in Rome on the 20th July 1977.
Following his father’s consecutive assignments as a civil engineer he actually lived out his first decade in Africa – until he was five in Libya, from then until his eight anniversary in the Cameroons and until ten in Algeria.
Musically self-taught until the age of 24, when he finally enrolled in Royal Conservatory in Den Haag, Holland (Koninklijke Conservatorium, 2001-2006) – majoring in ‘jazz piano’. He aspired to develop an an encyclopedic technique, with rhythm, harmony and tone informed by non-western traditions yet equally sensitive to Debussy’s “Préludes”, Luciano Berio’s “Sequenzas”, to the ‘ambi-ideation’ heard in Borah Bergman’s Soul Note recordings, Cecil Taylor’s polissemic density, Paul Bley’s bruised transparency and of course, the most radical manifestations stemming from the underworld of pop music, invariably tied together by his own original praxis.
He currently lives in Brussels.”