Oren Ambarchi, Johan Berthling and Andreas Werliin: Ghosted (DRAG CITY)
From the one-sheet:
“It was early in 2019 -- no, November 2018! -- that Oren Ambarchi, Johan Berthling and Andreas Werliin met at Studio Rymden, in a quiet, pretty suburban district of Stockholm, to make the music that became Ghosted. They can't remember exactly when it was made because that time -- the when and where that it was recorded -- doesn't really matter anymore. Now the music of Ghosted exists […] in a remarkable display of rhythmic flexibility within a minimal framework […]
Rooting in the rich tonality and repeating figures of Johan's acoustic (and sometimes electric) bass, the four tracks that make up Ghosted act as variations on a theme, unspooling continuously over the course of 39 minutes with the terse flow of krautrock jams -- closely observed percussive riffs and repetitions that build continuously with subtle shifts as they move forward, with the small details flying expansively in and out across the stereo spectrum. Oren's guitar often sounds with an organ-like tone, with notes of fire and glass wafting out over the percolation and permutation in Johan and Andreas' rhythms."
From the one-sheet:
“It was early in 2019 -- no, November 2018! -- that Oren Ambarchi, Johan Berthling and Andreas Werliin met at Studio Rymden, in a quiet, pretty suburban district of Stockholm, to make the music that became Ghosted. They can't remember exactly when it was made because that time -- the when and where that it was recorded -- doesn't really matter anymore. Now the music of Ghosted exists […] in a remarkable display of rhythmic flexibility within a minimal framework […]
Rooting in the rich tonality and repeating figures of Johan's acoustic (and sometimes electric) bass, the four tracks that make up Ghosted act as variations on a theme, unspooling continuously over the course of 39 minutes with the terse flow of krautrock jams -- closely observed percussive riffs and repetitions that build continuously with subtle shifts as they move forward, with the small details flying expansively in and out across the stereo spectrum. Oren's guitar often sounds with an organ-like tone, with notes of fire and glass wafting out over the percolation and permutation in Johan and Andreas' rhythms."
From the one-sheet:
“It was early in 2019 -- no, November 2018! -- that Oren Ambarchi, Johan Berthling and Andreas Werliin met at Studio Rymden, in a quiet, pretty suburban district of Stockholm, to make the music that became Ghosted. They can't remember exactly when it was made because that time -- the when and where that it was recorded -- doesn't really matter anymore. Now the music of Ghosted exists […] in a remarkable display of rhythmic flexibility within a minimal framework […]
Rooting in the rich tonality and repeating figures of Johan's acoustic (and sometimes electric) bass, the four tracks that make up Ghosted act as variations on a theme, unspooling continuously over the course of 39 minutes with the terse flow of krautrock jams -- closely observed percussive riffs and repetitions that build continuously with subtle shifts as they move forward, with the small details flying expansively in and out across the stereo spectrum. Oren's guitar often sounds with an organ-like tone, with notes of fire and glass wafting out over the percolation and permutation in Johan and Andreas' rhythms."